One of the defining characteristics of the digital world -- and one of the problems for copyright law, which was conceived in an analog age -- is the importance of being able to build on the work of others not just indirectly, but directly, through mashups or the re-use of existing material. Stig Rudeholm points us to a fascinating feature in the Guardian about "sweded movies" : home-made tributes to Hollywood titles that adopt precisely this approach of creative re-interpretation. The name apparently comes from the film "Be Kind Rewind", where DIY imitations of studio favorites are passed off as Swedish editions.
As the article's author, Ben Walters, writes, beyond the surface humor, there's something interesting happening here: sweded movies are a form of talking back to Hollywood. Along with recut trailers and "supercuts" of familiar tropes, they represent a fledgling digital moving-image culture that presents a radical...